Graphic novels are nothing new in literature. Something of
the sort has always existed. What has changed, however, is how we interpret the
medium in modern times. Most people view graphic novels like this only as comic
books. That’s all graphic novels are to them and that’s all they will ever be. Yet
something is happening as of late – that graphic novels are becoming more and
more acceptable in the literature community. Take the graphic novel The Watchmen: it wasn’t just a comic
meant to go on and sell as many copies as it could for as long as it could
until the company could no longer drain any money out of it. Rather, it was a story
about the nature of mankind and its tendencies toward depravity – that only
lies ever united humanity and that’s just the way we were. Many graphic novels still
fit the criteria of children’s comics, but some are legitimately fantastic stories
now given new life through this medium.
Heck, sometimes the stories in these graphic novels aren’t
original works, but recent adaptations of older ones. Over the last week, our
class read the Frankenstein adaptation by Jason Cobley and Declan
Shalvey. It was fantastic! As someone who has never read Frankenstein, this
graphic novel is pushing me toward reading the original book, which is probably
at least part its intention. This method of adapting older texts to graphic
novel form gives the book a much wider audience. Our current generation of
students are aware of classic novels, but don’t actually give them a chance because
they are older texts. Like, students know the basic premise of Moby Dick,
Lord of the Flies, Pride and Prejudice, and many other books
simply because they are part of the cultural consciousness. Adapting them in
part to a graphic novel would easily create interest in these classics.
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